the story

est. 2019

I collect webs after they have been abandoned — cellars, sheds, the corners of houses being emptied. Nothing is farmed and nothing is kept alive against its will. What the spider left is what gets set: the snags, the repairs, the dust it never cleared.

Trained as a printmaker, working in resin since 2019. Some pieces you use every day — coasters, cases, trays. Some you hang and light from the side. Two commissions a quarter, so nothing gets rushed while it cures.